World Library  
Flag as Inappropriate
Email this Article

Ornament and Crime

Article Id: WHEBN0000172526
Reproduction Date:

Title: Ornament and Crime  
Author: World Heritage Encyclopedia
Language: English
Subject: Adolf Loos, Flexibility-usability tradeoff, Villa Müller, Empathic design, Theory of constraints
Collection: 1910 Essays, Modernism, Ornaments
Publisher: World Heritage Encyclopedia

Ornament and Crime

Ornament and Crime was a lecture attacking ornament in art by the influential and self-consciously "modern" Austrian architect Adolf Loos, written in 1908 but first given on 21 January 1910 in Vienna and first published in Cahiers d'aujourd'hui (issue 5 of 1913)[1] under the German title Ornament und Verbrechen. It was under this challenging title that in 1913 the essay was translated into French; it was not published in German until 1929.[2] "The evolution of culture marches with the elimination of ornament from useful objects", Loos proclaimed, linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying evolution to cultural contexts.[3]

In Loos's essay, "passion for smooth and precious surfaces"[4] he explains his philosophy, describing how ornamentation can have the effect of causing objects to go out of style and thus become obsolete. It struck him that it was a crime to waste the effort needed to add ornamentation, when the ornamentation would cause the object to soon go out of style. Loos introduced a sense of the "immorality" of ornament, describing it as "degenerate", its suppression as necessary for regulating modern society. He took as one of his examples the tattooing of the "Papuan" and the intense surface decorations of the objects about him—Loos says that, in the eyes of western culture, the Papuan has not evolved to the moral and civilized circumstances of modern man, who, should he tattoo himself, would either be considered a criminal or a degenerate.[5][6]

Loos concluded that "No ornament can any longer be made today by anyone who lives on our cultural level ... Freedom from ornament is a sign of spiritual strength".[7]

The essay was written when Art Nouveau, which Loos had excoriated even at its height in 1900, was about to show a new way of modern art. The essay is important in articulating some moralizing views, inherited from the Arts and Crafts movement, which would be fundamental to the Bauhaus design studio and would help define the ideology of Modernism in architecture.


  1. ^ Janet Stewart, Fashioning Vienna: Adolf Loos's Cultural Criticism, London: Routledge, 2000
  2. ^ Janet Stewart, Fashioning Vienna: Adolf Loos's Cultural Criticism, London: Routledge, 2000, p. 173
  3. ^ Canales, Jimena and Herscher, Andrew, "Criminal Skins: Tattoos and Modern Architecture in the Work of Adolf Loos", Architectural History 48, 2005 PDF
  4. ^ , 1973, Volume 186, Number 957, "Adolf Loos: the new vision"Studio International
  5. ^ Loos, A. (1908). Ornament and Crime (PDF). Innsbruck, reprint Vienna, 1930. 
  6. ^ Rawson, Jessica, Chinese Ornament: The lotus and the dragon, p. 19, 1984, British Museum Publications, ISBN 0-7141-1431-6
  7. ^ Rawson, Jessica, Chinese Ornament: The lotus and the dragon, p. 19, 1984, British Museum Publications, ISBN 0-7141-1431-6

Further reading

  • Banham, Reyner, 1960. Theory and Design in the First Machine Age, Characteristic attitudes and themes of European artists and architects, 1900–1930.
  • Giedion, Siegfried. Space, Time and Architecture: The Growth of a New Tradition.
  • Rykwert, Joseph. "Adolf Loos: the new vision" in Studio International, 1973.

See also

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.