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So Big (1953 film)

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Title: So Big (1953 film)  
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Subject: Edna Ferber, Robert Wise, Roland Winters, Something for the Birds, Marjorie Bennett
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So Big (1953 film)

So Big
Theatrical release poster
Directed by Robert Wise
Produced by Henry Blanke
Written by John Twist
Based on the novel by Edna Ferber
Starring Jane Wyman
Sterling Hayden
Steve Forrest
Nancy Olson
Music by Max Steiner
Cinematography Ellsworth Fredericks
Edited by Thomas Reilly
Distributed by Warner Bros.
Release dates
  • October 21, 1953 (1953-10-21)
Running time 101 minutes
Country United States
Language English
Box office $2 million (US)[1]

So Big is a 1953 American drama film that stars Jane Wyman, Sterling Hayden and Steve Forrest, directed by Robert Wise.[2][3]

The screenplay by John Twist is based on the 1924 novel by Edna Ferber. It is the third adaptation of the book, following a 1924 silent film with Colleen Moore and So Big! with Barbara Stanwyck, released in 1932.


Sterling Hayden and Jane Wyman in So Big

In the late 1890s, boarding school student Selina Peake learns of the death of her father, who has left her penniless as the result of bad business transactions. August Hempel, the father of her best friend Julie, secures her a teaching position in New Holland, a small Dutch farming community outside Chicago. There she rents a room in the home of Klaas Pool, who lives with his unhappy wife Maartje and intelligent but troubled adolescent son Roelf.

After discovering the boy has an ear for music, Selina gives Roelf piano lessons and encourages his artistic talents, leading him away from juvenile delinquency. She meets Pervus DeJong and eventually accepts his proposal of marriage, settling into the daily routine of a farmer's wife. The two have a son they christen Dirk, but as he grows older he is nicknamed So Big.

Dirk, like Roelf, exhibits signs of artistic abilities. His mother encourages him, despite her husband's disapproval. When the boy is eight years old, Pervus dies and Selina struggles to run the farm alone. She and Dirk travel to the Chicago Haymarket to sell their produce, but no one there will deal with a woman.

Facing financial difficulties, Selina reunites with Julie, now the divorced mother of two. Her father offers to invest in Selina's plan to grow exotic vegetables. Her asparagus is a huge success and she is able to send Dirk to college to study architecture. Following graduation, he finds employment as a draughtsman and continues his relationship with Julie's daughter Paula, a social climber who convinces him to forgo his career in favor of becoming a more immediate financial success. Dirk accepts a job in sales, disappointing his mother so much, she no longer calls him So Big.

Dirk falls in love with artist Dallas O'Mara and proposes marriage. Although she likes him, she declines his offer, telling him she wants a man whose hands have been roughened by physical labor. Roelf, now a famous composer, arrives in Chicago and reunites with Dallas, whom he had met in Paris. He, Dallas, and Dirk visit Selina, and the two women become friends.

Roelf and Dallas leave together, and Dirk bemoans the path his life has taken. His mother tells him it is not too late to pursue his creative dreams. Taking him in her arms, she calls him So Big once again.


Critical reception

Bosley Crowther of The New York Times wrote,
Despite the fact that the story is "dated," that it offers a very familiar theme and that the present production is loaded with some typical "Hollywood" flaws, there is still a great deal of solid substance in this latest retelling of the tale . . . For the better part of the picture, we are largely indebted to Jane Wyman . . . remarkably strong and effective in every forthright little bit she does. From her earliest appearance . . . to her ultimate poignant scene . . . she is humble, restrained and sure . . . Where the picture falls down is in those phases in which the grown-up son goes to Chicago and gets himself infected with false notions of a successful career. Here John Twist's adaptation and Mr. Wise's direction are unsure, and the acting by all and sundry has a specious and artificial quality . . . As a consequence of its downward tangent toward the end, the whole picture loses force. The poignance of the mother's disappointment in her dearly loved son goes awry. Even so, the performance of Miss Wyman holds up right through to the end, and the character she sets throughout the first part stands firm amid the flow of glycerin tears.[4]

Radio Times rated the film three out of five stars and commented, "The tale's a mite old-fashioned for today's tastes, but under skilled editor-turned-director Robert Wise the Warner Bros gloss is not too intrusive, and there are nicely honed performances from big Sterling Hayden and lovely Nancy Olsen in support." [5]

TV Guide rated the film three out of four stars and added, "A good production, but a bit inflated, So Big commits the same error as the 1932 picture in that it stuffs a quarter of a century and many characters into not enough time." [6]


There is no record that a VHS or DVD version of the film has been released; So Big was released on VHS then the copies mysteriously disappeared.

Awards and nominations

Steve Forrest was awarded the Golden Globe Award for New Star of the Year – Actor with Hugh O'Brian and Richard Egan.

Adaptations to Other Media

So Big was adapted as an hour-long radio play on Studio One's December 29, 1947 broadcast with Joan Blondell and Lux Radio Theater's September 21, 1954 broadcast with Ida Lupino and Robert Stack.


  1. ^ 'The Top Box Office Hits of 1953', Variety, January 13, 1954
  2. ^ Variety film review; September 30, 1953, page 6.
  3. ^ Harrison's Reports film review; October 3, 1953, page 159.
  4. ^ reviewNew York Times
  5. ^ reviewRadio Times
  6. ^ reviewTV Guide

External links

  • So Big at the Internet Movie Database
  • Edna Ferber e gli ideali della borghesia media americana del Midwest negli anni ’20 e ’30 Tvcinemateatro-i protagonisti
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