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The Rape of Belgium

The ruins of the library of the Catholic University of Leuven after it was burned in 1914.
The destroyed city of Leuven in 1915

The Rape of Belgium is the usual historical term regarding the treatment of civilians during the 1914–18 German invasion and occupation of Belgium during World War I. The term initially had a propaganda use but recent historiography confirms its reality.[1] One modern author uses it more narrowly to describe a series of German war crimes in the opening months of the War (4 August through September 1914).[2]

The neutrality of Belgium had been guaranteed by the Treaty of London (1839), which had been signed by Prussia. However, the German Schlieffen Plan required that German armed forces violate Belgium’s neutrality in order to outflank the French Army, concentrated in eastern France. The German Chancellor Theobald von Bethmann Hollweg dismissed the treaty of 1839 as a "scrap of paper".[3] Throughout the beginning of the war the German army engaged in numerous atrocities against the civilian population of Belgium, and destruction of civilian property; 6,000 Belgians were killed, 25,000 homes and other buildings in 837 communities destroyed. One and a half million Belgians (20% of the entire population) fled from the invading German army.[4]:13 Just how many Belgians were still on the run within their own country is not known: estimates vary between another half a million and even up to 1.5 million.


  • War crimes 1
  • Wartime propaganda 2
  • Aftermath 3
    • Later analysis 3.1
    • Historical studies 3.2
    • Legacy 3.3
  • See also 4
  • References 5
  • Further reading 6
  • External links 7

War crimes

Depiction of the execution of civilians in Blégny by Évariste Carpentier

In some places, particularly Liège, Andenne and Leuven, but firstly Dinant, there is evidence that the violence against civilians was premeditated.[4]:573–574 However, in Dinant, the German army believed the inhabitants were as dangerous as the French soldiers themselves.[5][6] German troops, afraid of Belgian guerrilla fighters, or francs-tireurs, burned homes and executed civilians throughout eastern and central Belgium, including Aarschot (156 dead), Andenne (211 dead), Tamines (383 dead), and Dinant (674 dead).[7] The victims included women and children.[8]

On August 25, 1914, the German army ravaged the city of Leuven, deliberately burning the university's library of 300,000 medieval books and manuscripts with gasoline, killing 248 residents,[9] and expelling the entire population of 10,000. Civilian homes were set on fire and citizens often shot where they stood. Over 2000 buildings were destroyed and large quantities of strategic materials, foodstuffs, and modern industrial equipment were looted and transferred to Germany. (There were also several friendly fire incidents between groups of German soldiers during the confusion.[6]) These actions brought worldwide condemnation.[10] In the Province of Brabant, nuns were ordered by Germans to strip naked under the pretext that they were spies. In Aarschot, between August and September, women were repeatedly victimised. Looting, murder, and rape was widespread.[4]:164–165

Wartime propaganda

The slogan "The Rape of Belgium" was used in the United States as a propaganda device to build popular support for American intervention in the European war.

Agreeing with the analysis of historian Susan Kingsley Kent, historian Nicoletta Gullace writes that "the invasion of Belgium, with its very real suffering, was nevertheless represented in a highly stylized way that dwelt on perverse sexual acts, lurid mutilations, and graphic accounts of child abuse of often dubious veracity."[11]:19 In Britain, many patriotic publicists propagated these stories on their own. For example popular writer William Le Queux described the German army as "one vast gang of Jack-the-Rippers", and described in graphic detail events such as a governess hanged naked and mutilated, the bayoneting of a small baby, or the "screams of dying women", raped and "horribly mutilated" by German soldiers, accusing them of cutting off the hands, feet, or breasts of their victims.[11]:18–19

Gullace argues that "British propagandists were eager to move as quickly as possible from an explanation of the war that focused on the murder of an Austrian archduke and his wife by Serbian nationalists to the morally unambiguous question of the invasion of neutral Belgium". In support of her thesis, she quotes from two letters of Lord Bryce. In the first letter Bryce writes "There must be something fatally wrong with our so-called civilization for this Ser[b]ian cause so frightful a calamity has descended on all Europe". In a subsequent letter Bryce writes "The one thing we have to comfort us in this war is that we are all absolutely convinced of the justice of the cause, and of our duty, once Belgium had been invaded, to take up the sword".[11]:20

Although the infamous German phrase "scrap of paper" (referring to the 1839 Treaty of London) galvanized a large segment of British intellectuals in support of the war,[11]:21–22 in more proletarian circles this imagery had less impact. For example, Labour politician Ramsay MacDonald upon hearing about it, declared that "Never did we arm our people and ask them to give up their lives for a less good cause than this". British army recruiters reported problems in explaining the origins of the war in legalistic terms.[11]:23

As the German advance in Belgium progressed, British newspapers started to publish stories on German atrocities. The British press, "quality" and tabloid alike, showed less interest in the "endless inventory of stolen property and requisitioned goods" that constituted the bulk of the official Belgian Reports. Instead, accounts of rape and bizarre mutilations flooded the British press. The intellectual discourse on the "scrap of paper" was then mixed with the more graphic imagery depicting Belgium as a brutalized woman, exemplified by the cartoons of Louis Raemaekers,[11]:24 whose works were widely syndicated in the US.[12]

Part of the press, such as the editor of The Times and Edward Tyas Cook, expressed concerns that haphazard stories, a few of which were proven as outright fabrications, would weaken the powerful imagery, and asked for a more structured approach. The German and American press questioned the veracity of many stories, and the fact that the British Press Bureau did not censor the stories put the British government in a delicate position. The Bryce Committee was eventually appointed in December 1914 to investigate.[11]:26–28 Bryce was considered highly suitable to lead the effort because of his prewar pro-German attitudes and his good reputation in the United States, where he had served as Britain's ambassador, as well as his legal expertise.[11]:30

World War I, US propaganda poster[13]

The commission's investigative efforts were, however, limited to previously recorded testimonies. Gullace argues that "the commission was in essence called upon to conduct a mock inquiry that would substitute the good name of Lord Bryce for the thousands of missing names of the anonymous victims whose stories appeared in the pages of the report". The commission published its report in May 1915. Charles Masterman, the director of the British War Propaganda Bureau, wrote to Bryce: "Your report has swept America. As you probably know even the most skeptical declare themselves converted, just because it is signed by you!"[11]:30 Translated in ten languages by June, the report was the basis for much subsequent wartime propaganda and was used as a sourcebook for many other publications, ensuring that the atrocities became a leitmotif of the war's propaganda up to the final "Hang the Kaiser" campaign.[11]:31–23

For example, in 1917 Arnold J. Toynbee published The German Terror in Belgium, which emphasized the most graphic accounts of "authentic" German sexual depravity, such as: "In the market-place of Gembloux a Belgian despatch-rider saw the body of a woman pinned to the door of a house by a sword driven through her chest. The body was naked and the breasts had been cut off."[14]

Much of the wartime publishing in Britain was in fact aimed at attracting American support.[15] A 1929 article in the The Nation asserted: "In 1916 the Allies were putting forth every possible atrocity story to win neutral sympathy and American support. We were fed every day [...] stories of Belgian children whose hands were cut off, the Canadian soldier who was crucified to a barn door, the nurses whose breasts were cut off, the German habit of distilling glycerine and fat from their dead in order to obtain lubricants; and all the rest."[15]

The fourth Liberty bond drive of 1918 employed a "Remember Belgium" poster depicting the silhouette of a young Belgian girl being dragged by a German soldier on the background of a burning village; historian Kimberly Jensen interprets this imagery as "They are alone in the night, and rape seems imminent. The poster demonstrates that leaders drew on the American public's knowledge of and assumptions about the use of rape in the German invasion of Belgium."[16]

In his book Roosevelt and Hitler, Robert E. Herzstein stated that "The Germans could not seem to find a way to counteract powerful British propaganda about the 'Rape of Belgium' and other alleged atrocities".[17] About the legacy of the propaganda, Gullace commented that "one of the tragedies of the British effort to manufacture truth is the way authentic suffering was rendered suspect by fabricated tales".[11]:32


Later analysis

A relic of the Great War, tucked away in a backstreet in Bonnington, Edinburgh. It depicts women being assaulted by soldiers

In the 1920s, the war crimes of August 1914 were often dismissed as British propaganda. In recent years scholars have examined the original documents and found that large-scale atrocities were committed, and that the fabrications were incidental to the substantial and awful truth.[4]:162 There is a debate between those who believe the German army acted primarily out of paranoia and those (including Lipkes) who emphasize additional causes. Adam Hochschild wrote in King Leopold's Ghost that the Rape of Belgium had the side effect of sweeping out of public view the atrocities committed by Belgian King Leopold's forces in the Congo Free State. An international campaign had been mounted against abuses in the Congo from 1900–1908, until the Belgian government took over the colony from Leopold and ended them. With Belgians now the victims, few on the Allied side wished to bring up the atrocities committed in King Leopold's colony, where some of the more fanciful crimes alleged against the Germans, such as chopping off children's hands and feet had been perpetrated.[18]

According to Larry Zuckerman, the German occupation far exceeded the constraints international law imposed on an occupying power. A heavy-handed German military administration sought to regulate every detail of daily life, both on a personal level with travel restraints and collective punishment as on the economic level by harnessing the Belgian industry to German advantage and by levying repetitive massive indemnities on the Belgian provinces.[2] Before the war Belgium was the sixth largest economy in the world but the Germans destroyed the Belgian economy so thoroughly, by dismantling industries and transporting the equipment and machinery to Germany, that it never regained its pre-war level. More than 100,000 Belgian workers were forcibly deported to Germany to work in the war economy and to Northern France to build roads and other military facilities to the German army.[2]

Historical studies

In-depth historical studies on this subject include:

  • The Rape of Belgium: The Untold Story of World War I by Larry Zuckerman
  • Rehearsals: The German Army in Belgium, August 1914 by Jeff Lipkes
  • German Atrocities 1914: A History of Denial by John Horne and Alan Kramer

Horne and Kramer give many explanations; firstly (but not only), the collective fear of the People's War:

The book has been criticized for lack of source criticism and erroneous interpretation of the then international law.[21]


A ceremony took place on 6 May 2001, in Dinant. Walter Kolbow, a high secretary at the Ministry of Defence of the Federal Republic of Germany, placed a wreath and bowed before a monument to the victims bearing the inscription: To the 674 Dinantais martyrs, innocent victims of German barbarism.[22][23]

See also


  1. ^ It was described as such in the following books:
    • John Horne (2010). A Companion to World War I. John Wiley and Sons. p. 265.  
    • Susan R. Grayzel (2002). Women and the First World War. Longman. p. 16.  
    • Nicoletta Gullace (2002). The blood of our sons: men, women, and the renegotiation of British citizenship during the Great War. Palgrave Macmillan. p. 24.  
    • Kimberly Jensen (2008). Mobilizing Minerva: American women in the First World War. University of Illinois Press. p. 30.  
    • Thomas F. Schneider (2007). "Huns" vs. "Corned beef": representations of the other in American and German literature and film on World War I. V&R unipress GmbH. p. 32.  
    • Annette F. Timm; Joshua A. Sanborn (2007). Gender, sex and the shaping of modern Europe: a history from the French Revolution to the present day. Berg. p. 138.  
  2. ^ a b c Zuckerman, Larry (2004). The Rape of Belgium: The Untold Story of World War I. New York: New York University Press.  
  3. ^ Memoirs of Prince Von Bulow: The World War and Germany's Collapse 1909–1919, translated by Geoffrey Dunlop and F. A. Voight, Little, Brown and Company, Boston, 1932:
    There is no doubt that our invasion of Belgium, with violation it entailed of that country's sovereign neutrality, and of treaties we ourselves had signed, and the world had respected for a century, was an act of the gravest political significance. Bad was made worse when than ever by Bethmans Hollweg's speech in the Reichstag (August 4, 1914). Never perhaps, has any other statesman at the head of a great and civilized people (...) pronounced (...) a more terrible speech. Before the whole world—before his country, this spokesman of the German Government—not of the Belgian!—not of the French!—declared that, in invading Belgium we did wrong, but that necessity knows no law (...) I was aware, with this one categorical statement, we had forfeited, at a blow, the imponderabilia; that this unbelievably stupid oration would set the whole world against Germany. And on the very evening after he made it this Chancellor of the German Empire, in a talk with Sir Edward Goschen, the British Ambassador, referred to the international obligations on which Belgium relied for her neutrality as "un chiffon de papier", "a scrap of paper"...
  4. ^ a b c d Lipkes J. (2007) Rehearsals: The German Army in Belgium, August 1914, Leuven University Press
  5. ^ Horne & Kramer, German atrocities, Chapter I, Third Army and Dinant
  6. ^ a b Beckett, I.F.W. (ed., 1988) The Roots of Counter-Insurgency, Blandford Press, London. ISBN 0-7137-1922-2
  7. ^ John N. Horne & Alan Kramer (2001) German Atrocities, 1914: A History of Denial, Yale University Press, New Haven, Appendix I, German Atrocities in 1914 (since 5 August until 21 October and from Berneau (Province of Liège) to Esen (Province of West Flanders), ISBN 978-0-300-08975-2
  8. ^ Alan Kramer (2007) Dynamic of Destruction: Culture and Mass Killing in the First World War Oxford University Press, pp. 1–24. ISBN 978-0-19-280342-9
  9. ^ Spencer Tucker, P. M. R. (2005) World War I: Encyclopedia, Volume 1, ABC-CLIO/Greenwood, p.714
  10. ^ Commission d'Enquete (1922) Rapports et Documents d'Enquete, vol. 1, book 1. pp. 679–704, vol. 1, book 2, pp. 605–615.
  11. ^ a b c d e f g h i j k Nicoletta Gullace (2002). The Blood of Our Sons: Men, Women, and the Renegotiation of British Citizenship during the Great War. Palgrave Macmillan.  
  12. ^ Cynthia Wachtell (2007). "Representations of German Soldiers in American World War I Literature". In Thomas F. Schneider. "Huns" vs. "Corned Beef": Representations of the Other in American and German Literature and Film on World War I. V&R unipress GmbH. p. 68.  
  13. ^, Slater, Tom, Dixey, Marsh and Halperin, James L, Political and Americana Memorabilia Auction, Heritage Auctions, Inc, 2005. p. 317. ISBN 978-1-59967-012-6, Poster is by Ellsworth Young
  14. ^ Cynthia Wachtell (2007). "Representations of German Soldiers in American World War I Literature". In Thomas F. Schneider. "Huns" vs. "Corned Beef": Representations of the Other in American and German Literature and Film on World War I. V&R unipress GmbH. p. 65.  
  15. ^ a b Cynthia Wachtell (2007). "Representations of German Soldiers in American World War I Literature". In Thomas F. Schneider. "Huns" vs. "Corned Beef": Representations of the Other in American and German Literature and Film on World War I. V&R unipress GmbH. p. 64.  
  16. ^ Kimberly Jensen (2008). Mobilizing Minerva: American Women in the First World War. University of Illinois Press. p. 30.  
  17. ^ "Herzstein, Robert E., Roosevelt & Hitler, p. 8
  18. ^  
  19. ^ German war crimesJohn Horne,
  20. ^ Horne, John; Kramer, Alan (2001). "Notes on German Atrocities, 1914: A History of Denial". Yale University Press.  
  21. ^ Peter Hoeres: Rezension von: John Horne / Alan Kramer: Deutsche Kriegsgreuel 1914. Die umstrittene Wahrheit. Aus dem Englischen von Udo Rennert, Hamburg: Hamburger Edition 2004, in: sehepunkte 4 (2004), Nr. 7/8 [15.07.2004], URL:
  22. ^ Clive Emsley, War, Culture and Memory, The Open University, Milton Keynes, 2003, p. 28. ISBN 0-7492-9611-9
  23. ^ Osborn, Andrew (11 May 2001). "Belgians want money after German war apology". The Guardian (London). 

Further reading

  • Bryce, J. B. (1915). Report of the Committee on Alleged German Outrages appointed by His Britannic Majesty's Government and Presided over by the Right Hon. Viscount Bryce (PDF). London:  
  • Green, Leanne. "Advertising war: Picturing Belgium in First World War publicity." Media, War & Conflict (2014) 7#3 pp: 309-325.
  • Horne, John N. and Alan Kramer. German Atrocities, 1914: A History of Denial (Yale University Press, 2001), online review
  • Horne, J.; Kramer, A. (1994). in JSTOR "German 'Atrocities' and Franco-German Opinion, 1914: The Evidence of German Soldiers' Diaries" . Journal of Modern History 66 (1): 1–33.  
  • Hull, Isabel V. A scrap of paper: breaking and making international law during the Great War (Cornell University Press, 2014)
  • Jones, Heather. "The Great War: How 1914–18 Changed the Relationship between War and Civilians." The RUSI Journal (2014) 159#4 pp: 84-91.
  • Lipkes, Jeff. Rehearsals: The German Army in Belgium, August 1914 (Leuven University Press, 2007) excerpt and text search
  • Nelson, Robert L. "'Ordinary Men' in the First World War? German Soldiers as Victims and Participants," Journal of Contemporary History (2004) 39#3 pp. 425–435 in JSTOR ISSN 0022-0094
  • Scheipers, Sibylle. Unlawful Combatants: A Genealogy of the Irregular Fighter (Oxford University Press, 2015)
  • Wilson, Trevor. "Lord Bryce's Investigation into Alleged German Atrocities in Belgium, 1914–1915," Journal of Contemporary History (1979) 14#3 pp. 369–383. in JSTOR ISSN 0022-0094 sees the Bryce report as exaggerated propaganda
  • Zuckerman, Larry (2004). The Rape of Belgium: The Untold Story of World War I. New York: New York University Press.  

External links

  • H-Net Review of Horne & Kramer, The German Atrocities of 1914: A History of Denial
  • H-Net Review of L. Zuckerman, The Rape of Belgium: The Untold Story of World War I
  • Review of J. Lipkes, Rehearsals: The German Army in Belgium, August 1914
  • H-Net Review of J. Lipkes Rehearsals: The German Army in Belgium, August 1914 by Jeffrey Smith
  • H-Net Review of J. Lipkes. Rehearsals: The German Army in Belgium, August 1914 by Robby Van Eetvelde
  • German War CrimesProf. John Horne,
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